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Sarah O’Moore Drops New Single ‘I Need U’

Irish singer songwriter, Sarah O’Moore latest single ‘I Need U’ is available now on all streaming platforms. The song is an energetic anthem that examines the wrong doings in society. The boisterous sound coupled with matter-of-fact lyrics allows the song to flow through an honest ravine.

Making heads turn with her timeless, sultry, powerhouse voice is Irish singer-songwriter Sarah O’Moore. Raised on a diet of rock Gods & folk legends, is it any wonder that her style pogos from contemporary RNB to soul? Drawing comparison from Amy Winehouse to Billie Holiday. Sarah is a voice in her own right penning deeply introspective and profoundly outlandish work. Borrowing from her Corkonian roots, Sarah’s songs carry the dark underbelly of societal demise and her hybrid fusion of rich lyricism and melodic roots make her a touchstone for current times.

From an early age, Sarah has always been attracted to the soul talent of Nina Simone, Otis Redding and Sam Cooke. It was through cosmic wordsmiths such as Bob Dylan, Leonard Cohen and Van Morrison, Sarah was able to hone her craft. Pursuing her dreams, Sarah set shore to Bristol; where she is currently studying Songwriting at BIMM.

O’Moore has said that the song is about ‘the political undertones of the past year. Its after showcasing the Omnipresence of racism in society and the ongoing battles of minority groups. It’s reignited our need to combat these issues. Lets not have the victors steal the narrative and have its victims forgotten.

The song is rallied with immediacy with the use of synth textures and raw vocals. The song questions the latent attitudes of government power. It’s time to support, speak up, press play and listen away.

Sarah plans to launch her debut E.P, “social paralysis” later this year. Which will act as a testimony to James Joyce’s “Dubliner’s”. She will embark on bringing these 20th century archetypes to life.

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James Arthur Announces Headline Belfast Show

James Arthur today delights fans by announcing tours of both UK & Ireland and North America in 2022.

The tour includes dates at Ulster Hall on 28th March and Olympia Theatre on 29th March.

Today’s announcement lands on a special day –  the fifth anniversary of the release of James’s global smash hit ‘Say You Won’t Let Go’.

James  will be performing songs from his upcoming new album ‘It’ll All Make Sense In The End’ alongside his classic hit singles and fan favourites.

James says: “I’m beyond happy about getting back on the road and seeing everyone again. Playing shows for my fans gives me life and that’s been taken away for the best part of two years so needless to say I’m itching to get back out there and perform for them again. Coming to a stage near you soon!

James has sold over 30 million records worldwide and has to date released three hugely successful albums ‘James Arthur’ (UK No.2), ‘Back From The Edge’ (UK No.1) and ‘YOU’ (UK No.2), alongside nine solo UK Top 40 singles. He has had two No.1 smash hits and was awarded a disc for reaching a billion streams on Spotify with ‘Say You Won’t Let Go’, the No.1 global hit that brought the singer-songwriter from Middlesbrough back from the edge (it currently has 1.7 billion streams on the platform). James recently dominated the airwaves and charts with his storming collaboration with Sigala ‘Lasting Lover’. The track was a No.1 airplay song in the UK, No.1 on iTunes and Top 10 on the Official Singles Chart.

James recently signed a new record deal in the UK with Columbia Records, a co-deal with Columbia Records Germany, and announced his new album  ‘It’ll All Make Sense In The End’,  his 4th long play release, is coming later this year.

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Foy Vance Set For SSE Arena Concert

Singer-songwriter Foy Vance is pleased to announce his largest ever headline show at The SSE Arena, Belfast on Saturday 02nd April 2022. Foy’s second studio album on Ed Sheeran’s Gingerbread Man Records and the follow-up to 2016’s The Wild SwanSigns Of Life will be released on September 10 on CD, LP and digital formats and is available to pre-order. 

Signs Of Life is the sound of a beloved singer-songwriter at the peak of his powers. It’s also the sound of a man – a husband, a father, a sinner, a drinker – belatedly coming to terms with his demons. Driven by powerful percussion, “Time Stand Still” features a soaring, emotive vocal from Vance, who was struggling with an addiction to alcohol and painkillers at the time of writing.

“I had my first extended period off the road after twenty years of constant touring,” says Vance. “And I realised: wow, I drink two bottles of wine and at least a half bottle of vodka a day. I’d start the day with codeine to get myself sorted, and I’d smoke joints throughout the day. So I realised: I have so many incredibly bad habits here. I’m showing all the signs of death, getting ashen, grey, smoking more, drinking more, smoking more…I hit a wall.”

“It was my manager that made me get help,” Vance continues. “And in those moments, you do wish time would stand still. Can’t I just stop here and sit in this moment before I have to take up that mantle?”

Signs Of Life was recorded in three locations: Vance’s Pilgrim studio at home on the shores of Loch Tay in Highland Perthshire, another recording set-up in a nearby Dunvarlich House, and at Plan B’s Kings X studio in London. The album was written and played more or less entirely by Vance, with able assistance from young Northern Irish producer Gareth Dunlop. Serendipitously, Dunlop had been inspired on his career path by a chance encounter with Vance many years before.

“When I was around 14 years-old I wandered into a coffee shop in Belfast and saw Foy playing in the corner,” Dunlop explains. “I was completely spellbound by what I heard. It was a lightbulb moment that sent me on the road of wanting to discover my own voice and musicality. I would never have imagined that I would be co-producing a record with him 18 years later, and that I would be just as inspired and spellbound by what he does.”

Created out of the grimness of 2020, Signs of Life is an album of dawn after darkness, hope after despair, engagement after isolation, uplift after lockdown. It comes in bold sleeve artwork that reflects Vance’s desire to embrace all sides of everything, all humanity’s textures. Shot on a 160-year-old camera which does arresting things with colours and shading, the back image is of Vance as a bare-chested, bare-knuckle boxer. On the front, he’s in a dress, blonde wig and theatrical make-up.

“They’re just mad, striking images, and I loved the fact that it was male and female. You know, life’s extreme, life’s volatile, life explodes into reality sometimes, and stops just as quick. So to be struck by images on the cover made sense.”

At any time, Foy Vance’s new collection of songs would be a tonic. At this particular time, they can’t arrive a moment too soon. “That’s a huge part of it,” says Vance. “Signs of Life is about re-emergence – me in my own soft revolution, the world re-emerging in what we’re about to see as we hopefully go back to some semblance of normality. But just life in general – flowers growing through the cracks in Chernobyl. Life finds a way, doesn’t it?”

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